all commedia dell'arte characters

all commedia dell'arte characters

all commedia dell'arte characters

all commedia dell'arte characters

  • all commedia dell'arte characters

  • all commedia dell'arte characters

    all commedia dell'arte characters

    His primary qualities are conceit and bluntness he never fears to call a spade a spade. A female vecchio, not well documented but recently grown in popularity due to the new availability of female actresses and the need to fit them with roles. Retrieved from https://www.thoughtco.com/what-you-need-to-know-about-commedia-dellarte-4040385. PRIMARY COMIC TRAIT: Probably a short temper; see also Captain, Scaramouch, and Coviello. Common parlance conflates fairy tales with beast fables and other folktales, and scholars [Dimensions?]. WebComedy horror, also known as horror comedy, is a literary, television, and film genre that combines elements of comedy and horror fiction.Comedy horror has been described as able to be categorized under three types: "black comedy, parody and spoof." An ill-tempered but intelligent zanni, he is known to be dangerous and may even commit murders or other violent crimes. He wears a dark brown or black colored mask, sometimes with a beard or mustache attached. PRIMARY COMIC TRAIT: Greed and stinginess -- usually of money but can apply it to women, power, food, or whatever else captures his fancy. Occasionally he can be found wearing a bonnet or a tall toque. He particularly took off in English-speaking countries after the character was revamped during the late seventeenth century to be more innocent and romantic. Pulcinella's primary trait is a tendency toward malice and selfishness which is usually covered by an ignorance or pretense thereof as to the harm he's causing. Pot-bellied and hunchbacked zanni, his shape is somewhat like that of a chicken, and this is probably the origin of his name (from medieval Italian pollicino, a young pullet or chicken.) 1584. He usually wears a fancy version of a period military uniform, and may or may not have a mask. A French version of Pantalone. He often is shown with thick glasses and is meant to be old, so his mask uses these qualities. [7.3 x 9.3 cm]. Traditional commedia dell'arte is not about realism or creating well-rounded, three-dimensional characters, so most of the roles only have a couple traits to them around which the whole personality is defined. Self publishing - numerosi vantaggi legati all'auto-pubblicazione di eBook lo rendono spesso pi accessibile rispetto all'editoria tradizionale. These films are designed to make the audience laugh through amusement. Gino Tartaglia, played by Charles Calvert, in the radio crime drama Broadway Is My Beat. Hale, Cher. WebScaramouche (French: ) or Scaramouch (English: / s k r m u (t) ,-m a t /; from Italian Scaramuccia [skaramutta], literally "little skirmisher") is a stock clown character of the 16th-century commedia dell'arte (comic theatrical arts of Italian literature).The role combined characteristics of the Zanni (servant) and the Capitano (masked henchman), with some The name Cietrulo is clearly meant to be a play on the Italian word citrulo, which means idiot, and gives some more insight as to the character's personality. The actors of thecommediarepresented fixed social types. The role combined characteristics of the Zanni (servant) and the Capitano (masked henchman), with some assortment of villainous traits. He was originally a masked character, although later versions usually have the actor simply powder his face. When each letter can be seen but not heard. Subscribe to America's largest dictionary and get thousands more definitions and advanced searchad free! The longer the nose on the mask, then the more stupid was the character. Callot's illustrations show his mask to possess an extremely long nose, protruding as far as the elbow of his outstretched arm, and he usually wears a plumed hat or headdress as part of his costume. [12], The women's dresses were of the finest silks and they wear showy jewelry characteristic of Renaissance style. Some of the earliest silent films were "Zanni, Harlequin, La Dona Lucretia" from the Recueil Fossard, XII. Hale, Cher. Spanish tartamudear), he is usually classed as one of the group of old characters (vecchio) who appears in many scenarios as one of the lovers ().His social status varies; he is sometimes a bailiff, lawyer, notary or In the game Genshin Impact, the 11th of the Fatui Harbingers, who are all named after the commedia dell'arte, is known as Tartaglia (Chinese: ) or Childe (Chinese: ), though his real name is Ajax. The Lovers often act in a childlike and immature way. According to Duchartre, Scaramouche is a variation of the Captain. An old-fashioned rule we can no longer put up with. A vecchio, and one of the older characters of the commedia, both historically and in canon. In Blaise Pascal's Penses Section 1 Article 12, Scaramouche is described as a person "who only thinks of one thing. WebAlthough the fairy tale is a distinct genre within the larger category of folktale, the definition that marks a work as a fairy tale is a source of considerable dispute. [5], The Lovers never wear the masks, which is characteristic of most of the other stock characters in the commedia dell'arte. Nglish: Translation of dialect for Spanish Speakers, Britannica English: Translation of dialect for Arabic Speakers, Britannica.com: Encyclopedia article about dialect. His name comes from an old Italian word that means "brawl" and so in English his name could be rendered as Brawley. Common names for the Doctor are Graziano Baloardo and Spaccastrummolo, which roughly translate in English, respectively, as Dr. Gratian Stoupide and Dr. Hack-and-Bandage. First appears in the seventeenth century, as a variation of the soubrette or maid, who were the female counterparts of the zanni. The modern, scripted-television examples tend to have more humorous bits than simple comic relief seen in a typical hour-long legal or medical drama, but exhibit far fewer Early doctors wore caricatures of the medical robes of their era, but in the mid-seventeenth century the costume was modified to a jacket of Louis XIV style, extremely wide hat, breeches, and a ruff collar. Commedia dell'arte, also known as "Italian comedy," was a humorous theatrical presentation performed by professional actors who traveled in troupes throughout Italy in the 16th century. WebAncient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. It is traditional for his character to dress in all or mostly black, with a bonnet and a white ruff or clown collar, and often with a tabaro. Delivered to your inbox! WebConfronto con i libri cartacei Vantaggi. STOCK CHARACTERS of the COMMEDIA DELL'ARTE. [5] They are well-read in poetry and often recite it at length from memory, and even tend to sing quite often. He most likely was never a "Captain" but rather appropriated the name for himself. Zanni is probably not the first character that springs to mind when you think of Commedia dell'Arte characters. This is necessary, because due to their conceited stupidity, and lack of experience with the all of the mysteries of love, and the sensations and emotions that come with it, they cannot figure it out on their own. In The Impostures of Scapin, Zerbinette mentions what a clever servant [Landre] has. She may be variously prim and dainty, or she may be bold and uncouth; but she's never as crude or vulgar as Francesquina or Ruffiana due to her intelligence and legitimate affection for others. The illustration shows the character to bear a strong resemblance to Scaramouch, and so is likely a variant on either him or on the Captain, and this is further supported in that the illustration appears to portray him threatening to pull his sword on another zanni; but Allardyce Nicoll in his book The World of Harlequin speculates he might be a variant on the character Coviello. The other characters may or may not be fooled by his claims, depending on the needs of the story. His name is from a Greek word meaning elder or old man. Swedish Nationalmuseum, Stockholm. Some elements were improvised, some choreographed and rehearsed. He is a most wonderful man and deserves the highest praise. He is a schemer and scoundrel, and takes a certain pride in these facts. [4][11][9], The Lovers tend to be overly dramatic in whatever emotion they express. See also: Pantalone. Stock characters: Bucco: braggart, boisterous. PRIMARY COMIC TRAIT: The antics of love/lust. [5], The posture that the Lovers take on is that of strong pride. The audience was able to pick up on the type of person actors were representing through each character's dress. The Lovers are usually the children of either Dottore or Pantalone. The character of Betelgeuse (Beetlejuice) as played by Michael Keaton is a sort of modern Pulicinella character. It often crosses over with the black comedy genre. Learn a new word every day. WebIl Capitano ([il kapitano], Italian for "The Captain") is one of the four stock characters of Commedia dell'arte. p. 120. [Artist unknown]. A daily challenge for crossword fanatics. In any case, her character is that of a low class woman, even if the story has set her up to be financially well-off through her occupations or marriages. In France he became known as Scaramouche.[1]. Along with loving themselves, they are in love with the very idea of love and what it pertains to. A modern version of this character can be found in the form of Professor Farnsworth on Futurama an extremely elderly, amoral, senile and deranged scientist who appears to spend most of his time inventing useless and ridiculous devices and ordering around his employees. In fact, the older the show states Pantalone's age to be, the better. He is selfish and opportunistic -- as is the case with many of the stock characters -- but unlike the other zanni who are often stupid or at least gullible, Brighella is cunning and can manipulate circumstances in ways that would be beyond the other characters; any failure of his schemings will usually be due to bad luck on his part, rather than any real problem with his plan. Dossenus: swindler, drunk, hunchback Comes from the southern, or Neapolitan, quartet of masks, along with Coviello, Scaramuccia and Pulcinella. The ensemble companies generally performed in Italy, although a company called thecomdieitaliennewas established in Paris in 1661. His mask is formed to have a long, hooked, beak-like nose, and his costume usually includes a tall hat of some form. The Tartaglia mask appeared in Naples around 1610. Her costume is of a low-class servant. They rarely ever have any complex or sympathetic reasons for their behavior, and anything they do or feel, they do or feel to extremes. For elaboration, loose-fitting garments alternated with very tight, and jarring color contrasts opposed monochrome outfits. Though still old, he is usually portrayed as less mean or miserly and instead more ignorant or naive. In some scenarios, he is the owner of The Dog, another stock character. A rounded nose is also common. Etching. The term Zanni therefore refers to a class of mask although in some cases was a specific character as well. Cher Hale is the founder of The Iceberg Project, a language-learning platform for students of the Italian language. Illustrations show his costume to be a slightly baggy shirt and pants, decorated with small bows or ribbons, and wearing a collar. A modern example of a character in the style of the Captain is the title role of the show Invader Zim, an arrogant and exceedingly self-centered alien who earned a high military ranking simply because his superiors wanted to put him in charge of the most distant planet they could think of, so they'd never have to see him again. Modern commedie often use her to provide a voice of reason in the show and utilize her more as a straight-man for the other characters. He is opportunistic and greedy, and in many scenari he is revealed to have never been a captain at all; and if he does have legitimate claim to the title he only earned it through deception and bravado. Tartaglia (Italian for "Stutterer") is a dainty character in the Commedia dell'arte. He is easily brought to tears by any kind of bad news (such as discovering he's eaten all the macaroni) and can lament these things at length. His costume was usually white with green trimmings, and his mask an olive-color or (less-commonly) brown, with a hooked nose. Leaps, tumbles, stock gags (burleandlazzi), obscene gestures, and slapstick antics were incorporated into their acts. Oil painting. WebGli Innamorati (Italian: [ innamorati], meaning "The Lovers") were stock characters within the theatre style known as commedia dell'arte, who appeared in 16th century Italy.In the plays, everything revolved around the Lovers in some regard. Courtesy Artstor. In the early days of Commedia dell'Arte, the Zanni mask used in the theatre was a full face mask with a long nose. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Later versions replace the tabaro with a clown-collar and add stripes to the design. Subsequently, the art form spread throughout Europe, with many of its elements persisting even into the modern theater. The better troupes notably Gelosi, Confidenti, and Fedeli performed in palaces and became internationally famous once they traveled abroad. While the inamorato and the female characters wore neither masks nor costumes unique to that personage, certain information could still be derived from their clothing. Characters such as Pantalone (the miserly Venetian merchant), Dottore Gratiano (the pedant from Bologna), or Arlecchino (the mischievous servant from Bergamo), began as satires on Italian "types" and became the archetypes of many of the favorite characters of 17th- and 18th-century European theatre. Woodcut print. His name is a double-diminutive of the name Giacomo. WebThe history of Commedia dellArte can be traced back to origins in Roman drama and Atellan Farces. Some Zanni characters were known for their acrobatic feats, including hand-stands and flips. His character is often not particularly bright though the extremes to which this is taken vary by the scenario. The actors of the commedia represented fixed social types.These types included tipi fissi, for example, foolish old men, devious servants, or military officers full of false bravado.Characters such as Pantalone (the miserly Venetian merchant), Dottore Gratiano (the pedant from Bologna), or Arlecchino (the mischievous servant from one of two or more cognate (see 1cognate 3a) languages. ThoughtCo, Sep. 8, 2021, thoughtco.com/what-you-need-to-know-about-commedia-dellarte-4040385. [7], The Innamorati do everything perfectly and strive for perfection. He evolved in English-speaking countries into Mr. Punch of the notorious Punch and Judy shows. This article about a fictional character is a stub. WebPulcinella (Italian pronunciation: [pultinlla]; Neapolitan: Pulecenella) is a classical character that originated in commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry.Pulcinella's versatility in status and attitude has captivated audiences worldwide and kept the character popular in countless forms since his introduction to Dramatist Carlo Gozzi turned him into a statesman, and so he remained thereafter. A bonnet or muffin hat finishes the costume. Short improvised farces, with stock characters, similar costumes and masks based on domestic life or mythology burlesqued, parodied during the 1 st century B.C., then declined. PRIMARY COMIC TRAIT: Egotism and megalomania. c. 1580. Named after Sir Robert Peel, what are British police called. It developed from here into a half mask covering the upper half of the face only with an extended, long nose. The costume of the Zanni character reinforced for the audience the nature of this character. Stock clown character of the commedia dell'arte. Callot, Jacques. Over time it evolved into the diamond or triangle pattern that has come to distinguish him. Thezanni(precursor to clown), such Arlecchino, for example, would be immediately recognizable because of his black mask and patchwork costume. PRIMARY COMIC TRAIT: See Harlequin or Brighella. These are rhyming couplets that are said before exiting and entering a scene.[5]. Watteau shows Mezzetin in pink stripes or in pink, yellow and blue pastel stripes, and Maurice Sand shows red and white stripes. 19th century costume designs show him as an old man dressed as a gentleman of the late 17th or early 18th century, but with flamboyantly bright red rolled stockings and a variety of unfashionable hats. PRIMARY COMIC TRAIT: Soft-hearted to excess. Information about your use of this site is shared with Google. This costume consists of a white, baggy jumpsuit, or else loose trousers and a button-down shirt, sometimes with overly-long sleeves. Usually dressed in sacking and hunched over through carrying heavy loads as a porter, with knees in a 'bowed' position and feet splayed apart. Not a well-documented character, he turns up in the early 17th century Feather-Book of Dionisio Minaggio. He is usually portrayed as being of the merchant class though he may or may not be wealthy; if he is, it doesn't matter as he's usually so averse to spending any of his money that his lifestyle is almost that of a beggar. The character was well-known enough in Italy that 'coviello' became a term for a boastful idiot. The dramatists of the Italian Renaissance borrowed ideas from early Roman playwrights, such as Plautus and Terence, whom the theater style known as commedia erudita was inspired by. The physicality of the Lovers should not be done in a way that makes fun of them. A modern Brighella-type character can be found in Edmund Blackadder of the Blackadder series. Another attribute of Harlequin is a wooden prop -- usually a wooden sword or a wooden stick (originally a slapstick, but later evolutions show it as just a walking stick or cane.) Until the mid-seventeenth century he was a masked character, but later became a role in which the actor merely powders his face, if that. [5], Following that, they do love each other, but are more consumed with the idea of being in love. A variant on Brighella, he's a bit (but only a bit) less violent than the big brawler and instead is more interested in the ladies. They occasionally do courtly dances using two dance movements called "pas", and "swivel". Duchartre describes his traditional hat as a toque with a green border, though most illustrations seem to show Brighella with a peasant's bonnet sometimes called a "muffin hat", similar to what most other zanni commonly wear. You can help Wikipedia by expanding it. Music, dance, witty dialogue, and all kinds of trickery contributed to the comic effects. They are very educated, but lack life experiences that would have prepared them for the real world. The focus was placed on physical business, rather than spoken text. Jokes about prostate troubles, broken hips, and 'back in my day we wore an onion on our belt' will abound. Pappas: foolish old man. Overlaid on all of this was their fantastic dialect and manner of speaking - these traits formed the basis of an important character in Commedia dell'Arte. Scapino tends to make a confusion of anything he undertakes and metaphorically "flees" from one thought, activity or love interest to another, as his name implies, although he usually will return to it -- eventually. Commedia dell'Arte: An Actor's Handbook. If she's unmarried, she doesn't care; and if she's married, she still doesn't care. WebCommedia dell'arte (/ k m e d i d l r t e, k -,- m d i ,- r t i /; Italian: [kommdja dellarte]; lit. The name 'Zanni' is a diminutive of Venetian name 'Giovanni' (John) and we get our English word 'zany' from this, which gives you an idea of the nature of this character! In the early years of the commedia (mid-16th century), the Harlequin was a zanni (a wily and covetous comic servant), and he was cowardly, superstitious, and This site uses cookies from Google to deliver its services and to analyze traffic. Had acrobatic tendencies. Apparently, there was no attempt made to change the performance's dialect from region to region. He also is frequently portrayed as wearing glasses -- in past times these would have been a fashion accessory, akin to sunglasses today. after their region was conquered by the Venetian army in the early 1400's. He was small , long beard, and wore a predominantly black costume with a white ruff. The unique talent ofcommediaactors was to improvise comedy around a pre-established scenario. ThoughtCo. An example of Capitano used as a vecchio is Gaston from Disney's animated Beauty and the Beast. That is because the Zanni character is seminal to many other characters in the Commedia dell'Arte theater, including Arlechino, Brighella, and Pulcinella. SECONDARY COMIC TRAIT: Old man. Hartnoll 1983, pp. WebJudith Chaffee's Commedia Website is a good resource to learn about Italy's early form of professional theatre. PRIMARY COMIC TRAIT: Malicious intelligence, manifesting as insults, trouble-making, schemes, and brawls. His costume is shown as a tabaro, jacket, and breeches with decorative garters. PRIMARY COMIC TRAIT: Old whore. Harry N. Abrams, Inc. Rudlin, John (1994). They point their toes while standing and puff up their chests. An indication of his popularity comes in the works of Wodehouse, who declares that for costume parties, every well-bred Englishman dresses as Pierrot. The name Burrattino means little-donkey. The term itself comes from the translation of Madame D'Aulnoy's Conte de fes, first used in her collection in 1697. There were many other minor characters, some of which were associated with a particular region of Italy, such asPeppe Nappa(Sicily),Gianduia(Turin),Stenterello(Tuscany),Rugantino(Rome), andMeneghino(Milan). Views expressed in the examples do not represent the opinion of Merriam-Webster or its editors. https://www.thoughtco.com/what-you-need-to-know-about-commedia-dellarte-4040385 (accessed December 11, 2022). Gli Innamorati (Italian:[ innamorati], meaning "The Lovers")[2] were stock characters within the theatre style known as commedia dell'arte, who appeared in 16th century Italy. WebIl Dottore (pronounced [il dottore], 'the Doctor'), commonly known in Italian as Dottor Balan or simply Balanzone ([balantsone]; Bolognese Emilian: Dutur Balanzn) is a commedia dell'arte stock character, in one scenario being an obstacle to young lovers. In order to express what they truly want to say, they always need the help of a servant to act as a go-between. Mezzetino's costume began as a baggy white costume like that of the generic zanni, but later evolved to a kind of livery or else a tunic and breeches, usually striped. Brunelleschi shows purple and white stripes. He removed the mask, used white powder on his face, and employed grimaces. [4], The Lovers use Usite (exits) and Chiusette (endings) sometimes when entering and exiting. Whereas Pantalone is usually of the merchant class, Magnifico is more likely to be an elected official or aristocrat, but on the whole there is no significant difference between the two characters. Several films were named Scaramouche, among other past films and TV series, include: Scaramouche is the name of a comedic villain henchman in, Scaramouche is the name of the 6th Fatui Harbinger in the video game, This page was last edited on 7 October 2022, at 22:21. Rosa says that Coviello (like Scaramouche) is "short, adroit, supple, and conceited". These dramatic and posh characters were present within commedia plays for the sole purpose of being in love with "I comici dell'Arte a Milano: accoglienze, sospetti, riconoscimenti" in Cascetta and Carpani (eds. These types includedtipi fissi, for example, foolish old men, devious servants, or military officers full of false bravado. "Anthony Scaramucci Prompts Search Of 'Scaramouch' And People Can't Handle The Definition", "In the Writers' Room, Creating a Scaramucci / Boing Boing", https://en.wikipedia.org/w/index.php?title=Scaramouche&oldid=1114714666, Creative Commons Attribution-ShareAlike License 3.0. [12] Their movements are elegant and are not to be aimed towards parody. In the early days of Commedia dell'Arte, the Zanni mask used in the theatre was a full face mask with a long nose. Usually a zanni, but sometimes classed as a vecchio and occasionally even an inamorato; he is depicted as well-dressed and wearing glasses, suggesting he might be a variant on the Captain, who has similar versatility. She is often played as gossipy, to the point that sometimes her name gets mistranslated as "gossiper." Scaramouche influences the audience to do his bidding. Thecommedia dellartesurvived the early 18th century only by means of its vast influence on written dramatic forms. [4], Their speech is very eloquent Tuscan, as they are of high social status. His mask is meant to portray an ancient old man, very wrinkled, with a large, long nose. PRIMARY COMIC TRAIT: Egotism and pride; often conflicting with his actual stupidity and ineptitude. Yung Hee on Mike Tyson Mysteries depicts a Columbina in a straight man role. The doctor, who speaks for a quarter of an hour after he has said everything, so full is he of the desire of talking.". Audiences knew what members of the various social classes typically wore, and also expected certain colors to represent certain emotional states. His conversation with Pino reveals himself as a proxy governing Smile Land. WebTraditional commedia dell'arte is not about realism or creating well-rounded, three-dimensional characters, so most of the roles only have a couple traits to them around which the whole personality is defined. Given the vast number ofItalian dialects, how would a touring company make itself understood? [6], The Lovers are aware of the audience's presence. In other ways, they may also call on an audience member for help or advice, or even flirt with someone who is watching from their T.V. He has an unusual mask that covers only the nose and forehead, either black or flesh-tone, and dresses in black. SECONDARY COMIC TRAIT: Old man -- see Pantalone. He has a tradition of being unmasked. The characterArlecchinobore two sticks tied together, which made a loud noise on impact. They use the audience as a means to show themselves off and also to express their plight at not being able to obtain their love. A ruff or a clown collar around the neck is almost always worn, and the actor leaves the face unmasked and made-up with white powder. Commedia dell'arte troupe, probably depicting Isabella Andreini and the Compagnia dei Gelosi. Her name, according to Florio, means "a woman bawde" i.e. Usually attired in black Spanish dress and burlesquing a Don, he was often beaten by Harlequin for his boasting and cowardice. Separation from their lover leads them to strongly lament and moan their state, although, once they finally meet, they are at a loss of words. [4] Although their dramatics were laughable, their struggle as a romantic couple added a cultural layer to the show, adding tone of seriousness to the show. Tartaglia wears a large felt hat, an enormous cloak, oversized boots, a long sword, a giant moustache and a cardboard nose. He is rarely shown as being even remotely competent in his profession, and common sources of humor stem from his low cure rates and the bizarre (and obviously useless) treatments he administers. Old style Harlequins often wore a hat made from a dead animal, though from the eighteenth century on a bicorn or tricorn hat has become traditional. Actors Ottavio Ferrarese and Beltrani da Verona became one of the first actors of it. Here is some background on the Commedia dell'Arte characters that many of the, our selection of Traditional Venetian Masks. "What You Need to Know About Commedia Dell'Arte." PRIMARY COMIC TRAIT: His name suggests grace, generosity and command, all of which he lacks. A series of illustrations from the Recueil Fossard show her with a rather Rubenesque figure, gushing out of her corset and with the spiral lacing on her dress ready to burst. According to Duchartre, the character first appears during the sixteenth century, he is summarized as having spent his whole life learning everything without understanding anything. The Doctor is one of the vecchi, and is therefore by demand of the type prone to commit all seven of the deadly sins. They do, however, wear a large amount of makeup and apply beauty marks to their faces. ), "Commedia Dell'Arte: A Study Guide for Students for the Improvisational Theater Style "Comedy of Skills", https://en.wikipedia.org/w/index.php?title=Innamorati&oldid=1106295168, Fictional characters introduced in the 16th century, Articles with Italian-language sources (it), Articles containing Japanese-language text, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 24 August 2022, at 00:28. [9] The main function of the Lovers within the play is to be in love; and in doing so, they come upon obstacles that keep them from pursuing their relationship. WebThe creator of all the characters in Smile Land. The "lovers" are the first actor, first actress, second actor and second actress. Because of this, the term scaramouche has become associated with a class of puppets with extendable necks. There were no elaborate sets incommedia. There are many dubious etymologies of his name, often linking him to mythical beings or spirits, but no one can say for sure whence the word originates. 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    all commedia dell'arte characters